Thursday, December 29, 2016

The Joy of MindWriting

"Outlines are the last resource of bad fiction writers who wish to God they were writing masters' theses." ~ Stephen King

"And I don't want to begin something, I don't want to write that first sentence until all the important connections in the novel are known to me. As if the story has already taken place, and it's my responsibility to put it in the right order to tell it to you." ~ John Irving

"I learned never to empty the well of my writing, but always to stop when there was still something there in the deep part of the well, and let it refill at night from the springs that fed it." ~ Ernest Hemingway

Over the course of the last decade I must have read over fifty How-To-Write books. Everything from scripting every single word to writing one true sentence at a time. But a good chunk of those books expressed that the most important thing that a writer could do for their story was to outline, outline, outline.

I did that method for my first book.

I wrote out directions, dialogue, plot, and even tone and objective of each chapter before I even wrote the word Prologue.

I thought I had to be chained to this type of device. To color inside the lines for fear that any originality would be lost or escape.

What happened instead was something very encouraging.

Every single time I strayed from the outline, when I'd let my mind wander, the story got better, sharper, grew some fangs.

On my second book, I briefly outlined the story but this time around I was looking forward to abandoning certain aspects of the outline.

Then, on my third book, I only outlined six chapters. Where did the rest of the book come from? Daydreaming, letting my mind wander, meditating on the story.

And you know what happened?

Not only did all of the elements I wanted to put into the core of the story suddenly appear, but I also found connections and crossovers to my other stories and crisp, witty dialogue came out of nowhere.

This was when I realized I was what they called a 'Pantser.' I know, it sounds like something a bully would do. But it's actually a term for writers. Johhny B Truant and Sean Platt describe that each writer falls into one of two groups: The Plotters - The people who outline everything about their story ad nausem. And The Pantsers - The people who kind of make everything up by the seat of their pants.

I enjoy the latter category.

Especially, since I've started the practice of Mindwriting.

Right now, even while typing this, I'm working on seven different novels. That's right. I'm multitasking.

It used to be that I'd take some time out of my day to think about a story and where it's going. But now, I'm thinking about them constantly. I'll map out a scene in my head while running an errand, try several different takes of a scene while at a party, experiment with dialogue doing the dishes, plot devices, character development, etc. Sometimes my wife will ask me what I'm thinking about because I get that far away look and every time I'll say, "Stories. I'm working on a novel."

Our minds are capable of a lot of things. We can figure out complex issues, learn languages or memorize entire scripts. But one thing I've always used my brain for is storage. I've created a room inside my mind with stories in the process of being written. And each one can be pulled up at a moments notice. That way, whenever I feel that the story has cooked for long enough and is just right, only then do I pull out the laptop and actually do the work of transcribing whatever was in my head.

One of the benefits of mindwriting is that it has helped me become more organized. Before, I had boxes filled with notebooks, receipts, post-it's, little scraps of paper with ideas written down. Tracking them all down was way too time consuming. So now, I keep everything up in the old noggin.

So, if you are up to the task, I encourage you to use your brain to its fullest capacity and keep the outline in your mind, where it belongs.

In the meantime, I've got one book that is already nearing the 300 page mark.

In my mind, of course.

Monday, July 18, 2016

I Think I'm In The Middle Of A Story Universe.

Yeah, I think I'm in the middle of a Story Universe.

Let me explain.

When I first began writing, I thought I had created four to five separate stories. Stand alones, basically. But what has developed has me convinced that I'm writing one big grand story that includes all genres.

The first book I wrote (Mr. Dead Eyes) was a medical thriller mixed with a supernatural element. A private detective that I created for that story literally came out of nowhere. But he had a history to him. His name is Thomas Wilker. But that's not his real name. He changed it. He also had some plastic surgery done. Then I began wondering, who was he running from? (Hint: There are two whole mystery novels I have planned that tell who and why.)

On a plane Thomas Wilker shares a story of capturing a murderer and why he has a grizzly scar on his right hand. Just writing that scene delivered a whole new book on to me. (Reviled) But Thomas Wilker only shows up in flashbacks. He's not present for the story but has, instead, 'traveled somewhere' to 'pursue a lead'. That lead, I've found out, is explained in Mr. Dead Eyes 2. But Derek, the main character of MDE1 and MDE2 shows up briefly in Reviled. He's passing through Wisconsin after the events of MDE2.

Then I wrote a novella about a girl who has to escape a group of soldiers. (Village Americana) I had no idea why I set it in the eighties but then that was answered when I finished my third book...

That book is Pickpocket Frankie. In that book she appears briefly. But another character within that book is connected by two other books that I'm planning. The working titles are Jefferey Pleasant Meets Brute Force and The Italian Way

And now it seems that the next ten novels I have planned out are all connected somehow by either a character, an object or a particular setting. It really is crazy how deep this rabbit hole goes. Needless to say, I dunno what the end result of all this will be, but I think I'll just let my characters do the driving. Cause they seem to know better than me. 

Just thought I'd share.

Saturday, June 11, 2016

The Impossible Return To Innocence

JD Clair is more than just a writer. He's a man who understands emotions as well as how to direct a story and dedicates himself to taking you on a journey into another world. He also happens to be my friend from grade school. I caught up with JD to ask him about his debut book The Impossible Return To Innocence and about his daily writing routine. So, without further delay, here's the author interview. Enjoy!

1. What is your earliest memory of writing?

I remember writing stories as early as five years old with my brothers; creating homemade comics that had the Ninja Turtles, the Ultimate Warrior, and an assortment of 80s icons. It was a blast. I don't know if that really counts because it was a collaboration and I'm not sure how much I really "wrote". However, by third  grade I was writing stories in school and it was my favorite assignment, probably even until today.

2. How did it feel to see your book in print?

I wish I could say I was in love at first sight, but I didn't get that "high" I really expected. I was so hopeful, waiting on a very long shipment that took weeks, and finally when the proof came the colors were duller than I approved and the font not as noticeable on the spine. It was still a beautiful book, but the satisfaction didn't set in the way I hoped and I kind of feel like a jerk for admitting it. 

3. When did you decide to be a writer?

I've wanted to be everything from a fireman, commercial airline pilot, to a shepherd. I struggled in college to decide what to do. I set my heart on early childhood education, but after transferring and losing credits I decided to not retake courses. I was an art major for half a semester before I realized my passion for writing. I've had a desire to jump from project to project, making movies, writing scripts, creating comics, making art... basically indulging in anything and everything.  It was then I realized the simple fact that I loved telling stories and had a genuine admiration for the simplest things.  Writing always seemed to be at the center of this "be everyone" mentality and allowed me to learn and explore many lives. 

4. Do you get writer's block? How do you combat it?

I don't normally struggle with writers block. Often I find myself having too much to write for the time I allow myself to do so. Sometimes the topics my mind fixates on are not the current project and I've learned to write what I'm thinking of to get it out of my head. It's like being determined to walk through a forest but being stopped at a river. You have to deal with the immediate concern to go further.  I realized that allowing time for side projects really worked well for me. 

5. What's your writing routine? Do you write longhand, typewriter or computer?

I write at all hours of the day. Whenever it comes to me. Sometimes it's at 2 in the morning... Other times its while I'm driving. I try to text myself little notes for starting points or quotes as they come to me but  I do set time aside to sit and write. It's mostly in the evening. When my kids were in Awana, I'd sit in the Church and just write uninterrupted for an hour and a half. But mostly, I write after my children go to sleep. I lay in the hall with my tablet and keyboard and write for hours.

6. Tell us about THE IMPOSSIBLE RETURN TO INNOCENCE and how you came to publish it?

THE IMPOSSIBLE RETURN TO INNOCENCE is a story of love and family. It begins with a dark scenario where a mother is caught in the act of stabbing her 12 year old son, Dominick, and follows the anger that boy developed in the years that follow. This is explored through a fantasy world known as the Furtherland, where monsters and masked murderers are threats mirroring some of the mental anguish he is suffering. 

Once I finished I tried finding a publishing agent. I looked all over the internet for anyone who remotely fit my categories (YA, Fiction, Fantasy). I sent letter after letter, personalizing each one, refining them, sharing my story for pointers... and eventually went back in and reworked several chapters. A friend of the family began working for a new publisher, Meraki House, which combines an agency with self publishing. It is at the expense/risk of the author, but they do what they can to help create a better product. I decided to go this route after countless agency rejections. 

7. What was your inspiration for writing it?

I was fat. Really fat. 280lbs of slothful mess, formed in a manchild mold. No one took me seriously because I didn't take myself seriously. So I decided to change. I began dieting and exercising in a very strict but healthy manner. Withing 8 months I lost over 80lbs. In that time I began writing the changes I was seeing in myself and others. Each character is built on forms of myself and other people. The monsters were literally described out of the disgust I had for my own overweight body. The protagonist was me... is me. He was a runner, which is what I was becoming, and I put into him all my own doubts and fears. Unfortunately my father in law began a rapid downward spiral with severe depression. This, coupled with a desire to explore the way depression affects family, led me to creating a fictional event where a mother hurts her child. I've been hurt in my life by family, and it is difficult to forgive, and I wanted to bring that topic up for anyone who feels justified in their anger. You can let go of your justification and decide to forgive.

8. What are you working on now?

I just finished the sequel to THE IMPOSSIBLE RETURN TO INNOCENCE, titled STONECOAT. The story has many parallels and involves all the same characters as the first, but the narrative is now given from the sister of the first story's protagonist. It is a really intense book and I tried capturing the wonderful nature and strength that women have, while also exploring their vulnerabilities. I really tried to speak with an understanding heart and I think it shows.

9. What advice do you have for aspiring writers?

Writing is lonely. It can be heartbreaking. You can try to write a single sentence a hundred times and no one will understand the effort you put in. You will be rejected. You will want to give up. I've wanted to give up. I've rage quit a few times, one even made public recently... but if you want to do it, you have to find a way to make it work.

Thanks for coming onto the Blog JD.

You can find his book Here.

He also writes a blog at

and has his own website at

And for those of you who want a visual sneak peek. Here is a book trailer of The Impossible Return To Innocence.

Wednesday, June 8, 2016


When I first published Wearing Donnie Torr in 2010, I did not hesitate to think if it was ready or not. Which was a big mistake on my part. A while ago I went back and revised Mr. Dead Eyes. I removed clunky sentences, reworked some scenes and added new dialogue. It made me feel overall better about the book. That happened in 2013.

I was somewhat dreading going back to WDT based on the fact that when I first published it, after what I thought was a good enough edit for $200 dollars, I went ahead and published it to Kindle.

The entire document was 103,000 words.


So yeah, it was way too wordy.

I mustered up my courage, found the old manuscript on a flash drive and took a peak. It's amazing what six years can do to a manuscript. I remember the words just tumbling out of me when I first wrote it. But now that I was staring at it years later and a little wiser on how to write a book; I couldn't help but go back and revise WDT too. I've since unpublished the kindle version, though you can still get the print copy.

Here's a quick pic of the progress.

The blocks highlighted in red are the parts that are getting cut. I was amazed at how many things I found when looking back on it:

  1. Clunky sentences
  2. Overuse of Commas
  3. Repeated sentences
  4. Confusing sentences

They all had to go.

Now the manuscript is about  83,000 words long.

That's 20,000 words I've cut from the original.

Also, it needed a title change. Wearing Donnie Torr was just something I slapped on there. But my wife and I talked about it during a trip back from Chicago, and she had nailed down everything the book encompassed in one word: Reviled.

But I think this identifies a common question when it comes to writing: How often should you revise a work?

Gene Fowler once said, "A book is never finished; it's abandoned."

I'm not saying that a manuscript is like a good friend where you can always pay a visit. I think it's safe to drop in and see if the work still makes as much sense as it did when you first wrote it. If not, revise. Make it clearer. Don't go Full-George Lucas and keep updating it with new characters and pump it full of prose that just ends up being filler anyways.

There was one case where Stephen King, fresh from writing three books, presented a copy of The Stand to his publisher Double Day in 1978. They were intimidated with it's size and thought it might sell better if it wasn't such a behemoth. So, willing to play it safe, King went back and cut 400 pages from the actual book. The final product came out to 1,200 pages. Years later, he released an uncut version because there was a demand for it.

Honestly, the author has to make the call whether to go back and tinker, to fix what was still cloudy. But I can say that I do not miss those 20k words I cut. They slowed everything down.

Now you can get your hands on a copy of Reviled on for only $2.99.

Click here to get a copy!

Subscribe to Roberto Scarlato's mailing list to learn more about his writing, future works and opportunities for free books! 

Saturday, May 7, 2016

My Writing Method

I've been writing for a long time. But I don't think I've ever described my method.

In an effort to be totally transparent, I'd like to share mine. Maybe you've come to this blog to find out who I am. Maybe you're an aspiring writer yourself and don't know how to get started. Maybe you've started a book and are stuck and are looking for an inspirational push in the right direction. Whatever the case may be, I hope this gives you a peek at my process and maybe figure out your own. Just so you know, the process can always change, and in my case it often does. It evolves. And you would be better served to know that now rather then later. So, here we go.

1. The Seed

Well, it starts with an idea. Something that gets planted in my brain that I can't dislodge. If it's completely unshakable, let's say for three to four weeks, then I seriously consider putting the idea on paper. The idea can either start from a line of dialogue, a piece of description, a unique character, or just one well-crafted scene. It also can arrive in my dreams. Sometimes they are garbled, on the fritz and I have to do some deciphering. Other times it can be very vivid and I remember everything. Wherever the idea comes from, once its planted, I am committed to caring and pruning that story tree.

2. The Title

Before, I used to not fret over title. But now I do. I like to think of the title before I even start writing. It can serve as a good placeholder should I decide to change it later. It's best to keep it short, snappy and memorable. It's an effort to describe the story, or at least one aspect of it, in one to eight words. This is still moldable, but I try not to bounce around too much with it.

3. Outlining

I used to do extensive outlines. With my first book I'd spend a paragraph describing what needs to happen in each chapter. Each chapter, I thought, needs at least one conflict to overcome. But then I realized this doesn't give the reader time to breath. My first outline was 15 pages.

Then I started doing one sentence descriptions. While this may be a good start for some, for me it just bogs down the process. Then, I later find out that I've only used 20% of the outline in the actual story. And that made me feel like a story was too scripted. 

Here's an example I pulled from Pickpocket Frankie. This outline was written years ago and I have strayed heavily from it.

4. Let The Characters Talk

Here's something they don't tell you about writing. You have to disappear. What I mean by that is you have to write something that doesn't feel like it was written by you. Whenever I tackle a project, I try to remain as a causal observer. The characters often lead me to surprising revelations or unexpected twists and turns. The more I let them play, the more they are controlling the story. The more they tell me things.

5. Layout

When I first started writing, I'd focus on one single page. And that produced a lot of headaches and anxiety. There's nothing more intimidating than that little blinking cursor. Eventually, I found out that focusing on one page at a time was too claustrophobic. I needed a full perspective. So, I decided to zoom out. With this layout, I can see what I wrote before and what comes after. Again, here's an example of my writing view with Pickpocket Frankie.

6. How I Type

I use two fingers. Both my index fingers. Yes, yes, I know it's not proper writing etiquette but I don't care. This is the fastest way I can type and a way to get all my thoughts onto that page. Even with writing blog posts, I write with two fingers. It's my preferred method and I'm sticking to it.

7. Silence isn't Golden

When I first started my very first book, I wrote in complete silence from the hours of 11pm till 3am. It was a hellish work schedule, especially when I needed to be up in time for school, but these were the best hours at the time. Later on, when I started taking on short stories, I realized that silence was slowing down my progress. My characters are no longer happy with the stoic, concentrating silence of yesteryear. Now they have a rhythm. Depending on the mood of the scene, or the story itself, my characters often choose a soundtrack for their actions. And, depending on the music, the words really seem to take off. Now, I don't know which is your preferred method, but I would suggest that if you can see the story like a movie in your head, why not have a score for it?

8. Word count

I think of the word count as a budget. Before, I didn't worry about it. But now I do. I researched genres. Fantasy books are usually around 100,000 words. Thrillers: 70,000 - 80,000. Crime Fiction:50,000 - 60,000. It's okay to go a little over but I constantly want to be concise.

9. Editing and Revising

I usually rewrite and revise as I go along. I'll write two chapters. Give it a few days to cool off, then come back to it and re-read the scene. If a sentence is clunky or doesn't serve a purpose or can be re-worded in any way, then I cut and revise. I heard that Dean Koontz rewrites his books in a strange way. He revises a page of work 40 times until it is perfect. Then he moves on to the next page. And if this is a 300 page book. That's a total of 12,000 revisions. Yikes. I don't think you have to go that far. Just try to do the story justice.

10. Read it Out Loud

A story will not make sense unless you read it out loud. We all have an internal reading voice and sometimes that voice can be misleading. Sometimes it will substitute through with threw or there and their or then and than. You get the idea. The best form of revising is reading it out loud. You can even perform it like an audio book to yourself.

11. Audience

In this profession you can't just write something and expect to know how to present it. You need to know your audience. I write for an audience of one. I write with my wife in mind. She's a reader as well and has read a good majority of my work. In the scenes I try to make her laugh, gasp or even keep her on the edge of her seat. And when I read her my work out loud, it can be a real big boost to see her reacting to the story. Whoever your audience is, find a person you can trust who likes to be read to and ask them to be your own personal story observer. Ask them what they like. What they didn't like. If a sentence made sense. If a character seems too thin. It will have huge benefits in the future. Besides, your audience member might be thankful and curious to see what you're working on next. Just make sure you are writing in a genre they enjoy.

12. Mindwriting

As I've said before, I used to write outlines. But now I just write in my head first before I start physically writing. I think of the project like a movie, one where I get to watch the dailies and figure out what I like and what can be cut. After I've seen the whole thing in my head, the scenes write faster than anything before and my keyboard is smoking with friction burn.

13. Preferred Tool

I've tried pens and pencils. I've tried desktop computers. Now I only write on laptops. They're compact, lightweight and are, I'm convinced, the only thing I will ever write on.

14. Where to write

Some writers retire to a room. Something that they've set up to be the perfect shop for inspiration to strike. I've heard of two authors, Wally Lamb and Chuck Wendig, who have actually built their own private Writing Cabin or Shed. Now, unless you've got the money and time to shell out to make this dream come true, there's a universal truth you need to admit: There will never be a perfect place or a perfect time for your writing. Jack Kerouac wrote on one long scroll, Jame's Joyce wrote in a white suit, Mark Twain wrote in bed, Ernest Hemingway would write while standing up on a typewriter that would sit on his dresser.

I wrote Village Americana at Starbucks. I wrote Ye Olde Idea Shoppe in the living room of my very first apartment. I wrote my first short story in an attic. It doesn't matter the place or the time. What matters is that you actually write the damn thing.

15. How to End a Story

Believe it or not, this one still eludes me. Sometimes it just hits me. Other times I have to dig. And digging takes time. And it takes commitment. If you're willing to get your hands dirty and not let your story stagnate, I suggest you pick up that metaphorical shovel and pry it out of that deep dark hole.

16. Always leave room

Hemingway once wrote that he would never write to completion. He'd always leave, what he called, a little bit left in his story well. Enough to write something for tomorrow. My normal writing session was 500 words at a times. Now I can pound out one or two chapters if I have a good writing flow.  

17. Notes, notes, notes

When I feel like I have a really good idea but need more time on it. I keep all my notes in one file, which I call my Jumble Box. There's really no rhyme or reason to it. I just write down the title, form and something short to describe it. 

That's pretty much my entire writing process. Hope it works for you. It has for far.

Until next time, keep writing.


Wednesday, May 4, 2016

My Declaration of Independance

I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.

~Henry David Thoreau

It began as a simple problem.
          I was laid off and in need of a job. Always a grunt worker, I aimed low, figuring we needed cash fast. We were a newly married couple and the job I had gotten from a staffing service decided to let me go, even though I did good work for them. I did construction side-jobs with my dad, tried a job at Netflix and even became a pizza delivery man to make some ends meet.
          Then the day came when I got a job interview and, big surprise, got the job. From 2011 to 2013 I feel that the job was good, sustainable. They treated me well. But then a couple things happened down the line that showed me what was missing in my life…me.
          Our daughter was born in April of 2013 and at that time, we were struggling. The only thing that kept us going was a dependence on God and our determined diligence to stretch a buck.
          Our tax refund helped in a big way.
          We were able to stretch that out very far.
          Then came the day when we needed to move.
          Along with all the taxes taken out of my check, plus how much health insurance was taking out, I had no choice; I had to dip into my 401k just so we had enough money to move.

Not until we are lost do we begin to understand ourselves.

~Henry David Thoreau

          Then there were the hours. Monday through Friday I was working 3:30pm to midnight. Sometimes I'd work on the weekends. But no matter how hard I worked, it still wasn’t enough to get us through.
          I became frustrated, angry, irritable.
          I’d see my daughter for precious few minutes before scarfing down some quick breakfast or, regrettably, grabbing something quick at Mcdonald’s, and zipping to work, just to make $700 every two weeks. Sometimes less.
          I had to get out of this headache.
          What was the point of all this if I wasn’t happy with my own life while at the same time struggling?
          So, in July, I signed up with ACX, an amazon company, and set out to do something worthy of my time.
          People always told me I had a great voice for radio. I humbly accepted their praise but never thought to do that for a job.
          It is now 2016 and here’s where I’m at right now.
          After turning thirty, I realized that I needed to restructure my life.
          I wanted more time with my family, better pay and flexible work hours.
          There are now 70 titles I have produced on and I am already an Audible approved narrator, which is a big chance to get more narration jobs.
          I’ve since resigned from my old job, plunging headfirst, full-force into Voiceover Work.

Things do not change; we change.

~Henry David Thoreau

          Here’s what I know for certain: I am a happier man.
          I can see my business as well as my wife’s business taking off in a big way. I now have the time to spend with our daughter, being a father and husband. I’m actually living my life the way I want to live it.
          So, why am I saying all this?
          Because I’ve come to admit that the system that we have in place does not work. No parent who works a full-time job should have to struggle to pay bills or to put food on the table.
          I read an article in National Geographic about a man who was going through a similar situation. He was making more than me and even he was struggling to put food on the table.
          I’ve had to come to a harsh truth about myself. I have a pushover-mentality when it comes to work. I try my best, often over-achieving what I do just to impress my bosses. But what happens, when you do that for too long, is that people mistake your humility for weakness and your kindness as servitude. Does loyalty count for anything? Maybe, and maybe not. But one thing is clear: you have to find something that you love doing and try making your own job of it.
          I chose writing and narrating.
          I don’t regret any of the decisions I’ve made.
          I’m proud of my work and wanted more time to just live my life.
          I’m free.

Monday, April 25, 2016

Right Outta My Mouth

Click Here to Buy
You may have noticed that a few of my posts have gone missing. That's because I decided to include them in a dandy new collection I call: Right Outta My Mouth: A Collection of True Stuff that Happened to Me. Those posts generated over 400 views, so I figured I'd include those posts and a couple of extras. Here's the summary: Ever get laid off while wearing a costume? Forced to get over a fear in less than 10 hours? Hey, we've all been there, right? These are just a few of the weird woes that writer and blogger Roberto Scarlato has to face. A collection of six humorous essays of true events that happened in his life. It tackles subjects like Apartment Hunting, Traveling, Acting, Halloween Contests, and Scammers. Only $2.99! Now on Kindle.

Subscribe to Roberto Scarlato's mailing list to learn more about his writing, future works and opportunities for free books! 

Friday, April 15, 2016

Pickpocket Frankie - Writing The Third Novel

So, as you might have guessed, it takes me a long time to crank out a novel.

Novellas, no sweat.

Short stories, a breeze.

But when it comes to writing anything from 50,000 to 100,000 words, it takes me forever.

So when I sat down, way back in 2005, fresh after completing my second novel, I decided to waste no time and get started on the third novel. I wrote five chapters, got distracted, walked away from the computer and would tinker here and there with it from time to time. Understand, I wasn't bored with the story. I just had this thing called life to deal with. Many things needed to happen first before I would get Pickpocket Frankie out into the world. I've moved, several times. Got married, our daughter was born. I went through many different jobs and I also transferred this book across three different computers. One was a desktop that needed 30 minutes to boot up. The second was a laptop that weighed twenty pounds, and now, finally, the one I'm writing on now.

I've jotted notes about this book on old receipts, spiral notebooks and even emailed notes to myself.

Microsoft Word tells me that, all told, the actual writing time took only 34 hours and 14 minutes. But that doesn't account for the 11 years I spent preparing it.

See, nobody sees the background, the errant thoughts, the distractions, or the weight of carrying a story around in your head through your daily life or when you're at your lowest. They just see the final product. And, if you were to record yourself actually writing the book, it would be very boring. Writing is an internal solitary task. But creating these characters, forming their stories and even having room for crossover characters is one of the biggest joys of my life.

As it stands, it is currently 41,821 words. According to Amazon, that's roughly 183 pages on kindle. There are 37 chapters to the book so far but I think it will be 45 chapters at the end and just over the 50,000 word mark. Most crime novels are 50k and for a good reason; they are written succinctly. It seems like there are no wasted words.

I've been posting my updates on Twitter quite frequently. I just get so excited about the process of storytelling, I had to tell someone. Had to get it out there.

And on July 4th, maybe even a little bit earlier than that, Pickpocket Frankie will make its debut on Kindle. Am I nervous? Of course. But that's beside the point. Even if no one reads it, I'll still be happy. Because extracting this story out of my brain felt great.

Like I said, short stories are easy. In terms of setup, plot and execution, you can accomplish that in 10 to 20 pages and find a way to end it. But novels are a different breed. For me, the beginning is always the easiest. The ending is something hidden away that you have to be patient for. And the middle is the sagging, droopy mess you have to figure out. To hold a readers attention consistently without breaking the tone is a herculean task. It also involved me having to admit to myself that I couldn't write the next chapter because I needed to grow as a writer. I needed to read more. I needed to let my ideas develop on their own. I needed my characters to speak for me.

Frankie's been with me a long time. On the outside, he's a wise-ass with daddy issues. But he surprised me with his resourcefulness, his optimistic wit and his willingness to tell me, point blank, "No, Roberto, I wouldn't do that in the story. Move over. Let me drive for a while."

And so now, I humbly as you to Pre-order a copy of Pickpocket Frankie today. And don't forget to share on Twitter, Tumblr, and Facebook. And I hope you have as much fun reading it as I did writing it.

And, as always, keep writing.

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